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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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LA TOUR, Maurice Quentin de
French Rococo Era Painter, 1704-1788
French pastellist. He was one of the greatest pastellists of the 18th century, an equal of Jean-Simeon Chardin and Jean-Baptiste Perronneau. Unlike them, however, he painted no works in oils. Reacting against the stately portraits of preceding generations and against the mythological portraits of many of his contemporaries, La Tour returned to a more realistic and sober style of work. The fundamental quality of his art lies in his ability to suggest the temperament and psychology of his subjects by means of their facial expression, and thereby to translate their fugitive emotions on to paper: 'I penetrate into the depths of my subjects without their knowing it, and capture them whole', as he himself put it. His considerable success led to commissions from the royal family, the court, the rich bourgeoisie and from literary, artistic and theatrical circles. |
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LA TOUR, Maurice Quentin de
Maurice, Comte de Saxe, Marshal of France sg
1748
Pastel on paper, 59,5 x 49 cm
Gemäldegalerie, Dresden
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LA TOUR, Maurice Quentin de
Mlle Ferrand Meditating on Newton f
1753
Pastel on paper, 73 x 60 cm
Alte Pinakothek, Munich
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LA TOUR, Maurice Quentin de
Self-Portrait s
1751
Pastel on paper
Mus??e de Picardie, Amiens
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LA TOUR, Maurice Quentin de
Self-Portrait (mk08)
1751
Pastel
64.5x53cm
Amiens,Musee
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LA TOUR, Maurice Quentin de
Portrait of Madame de Pompadour
mk68
Pastel on canvas
Paris,Louvre
1755
France
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LA TOUR, Maurice Quentin de
Self-Portrait
mk86
1751
Pastel
64.5x53cm
Amiens,Musee de Picardie
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LA TOUR, Maurice Quentin de
Self-Portrait
1751 Pastel on paper Mus?e de Picardie, Amiens Artist:LA TOUR, Maurice Quentin de Title: Self-Portrait, 1701-1750, French , painting , portrait
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| LA TOUR, Maurice Quentin de
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French Rococo Era Painter, 1704-1788
French pastellist. He was one of the greatest pastellists of the 18th century, an equal of Jean-Simeon Chardin and Jean-Baptiste Perronneau. Unlike them, however, he painted no works in oils. Reacting against the stately portraits of preceding generations and against the mythological portraits of many of his contemporaries, La Tour returned to a more realistic and sober style of work. The fundamental quality of his art lies in his ability to suggest the temperament and psychology of his subjects by means of their facial expression, and thereby to translate their fugitive emotions on to paper: 'I penetrate into the depths of my subjects without their knowing it, and capture them whole', as he himself put it. His considerable success led to commissions from the royal family, the court, the rich bourgeoisie and from literary, artistic and theatrical circles.
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